Trentemoller kazu makino biography



Trentemoller kazu makino biography

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    Trentemøller
    Lost

    “Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of Trentemøller's work, but also as yet another fuck-you to whatever genre you thought you had him boxed into.

    The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before.

    Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

    “People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that’s not for me”, says Trentemøller.

    “Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer.

    You can’t really compare it to “The Last